TERRAE
Hand woven works inspired by lunar maps.
Weaving as a form of writing with an inherent narrative process.
SPIGOLATURE
These textile panels are the result of a 'gleaning' process. The gleaning activity is something necessary we practice everyday and it has something to do with the recovery of value both material and emotional. The practice of gleaning brings with it a moment of choice, you evaluate, you decide whether to let go, recovering or processing.
Press.
news.
Susanna’s work is featured in the book
Le fil dans l’art contemporain
125 artistes au cœur de la création
Charlotte Vannier - Éditions Pyramyd
Release date: October 17, 2025
-

Opus
This series takes inspiration from the ancient construction technique of the stone huts (tholos), ancient rural shelters used by shepherds in central Italy. The stones were carefully chosen and superimposed layer by layer without the use of lime or bonding material. Somehow it is a kind of wall weaving where each stone between the interstices contributes to stability.
-

Bandiere
Colour is never neutral. It is a silent language, rich in memories and emotions. In some cases, colour transcends aesthetics to become a powerful symbol of collective identity and belonging, as can be seen clearly in flags. Which physical, value-based or emotional spaces do we feel we belong to most? What if there were a flag for each of these places?
Textile prototyping
Superstrings outdoor fabrics for ARKF by Antonio Barone
Spigolature - Screen
Susanna Costantini and Antonio Barone create a textile dividing element that evokes ‘gleaning’ as a metaphor for the selective process of memory, enhancing the marginal and forgotten element in a dialogue between preservation and abandonment.
On show at Lake Como design Festival as part of the exhibition “Fragments of Memory”
Villa del Grumello
14-21 September 2025